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Shanghai, 1984. Mon premier "grand reportage". Aucune autorisation de tournage. Mon pote Eric, sinologue, pour guide. Les premiers espaces de liberté post-Mao filmés par Tintin reporter. Shanghai New Look VSD: “China as never seen on TV. Hats off to you guys!” Lucien Bodard, a senior reporter born in China. Duration: 33' © Interscoop, Antenne 2, 1985 A film by Frédéric Laffont & Eric Schlesser Edited by Jean-François Giré Shanghai, 1984. My first "big report." A Super 8 camera, a Taiwanese student card purchased for $10 in Hong Kong, and here I am, Chinese, in a country that's half-opening its doors. No filming permits. My friend Eric, a sinologist, as my guide. The first post-Mao spaces of freedom filmed by Tintin Reporter.

Frédéric Lafont, filmographie, documentaire, livre, grand reportage, grand reporter, Prix Albert Londres, film Editorial charter Notre charte éditoriale est un guide pour la création de contenus au sein de Camera Magica. Elle vise à assurer la qualité, l'originalité et l'authenticité de nos productions. En tant que studio de cinéma, nous nous engageons à respecter les normes éthiques et professionnelles de l'industrie cinématographique. Notre charte éditoriale comprend des directives sur la narration, la représentation des sujets, l'équité, la diversité et l'inclusion. Nous encourageons nos équipes à s'engager dans une démarche de création responsable et à donner voix à ceux qui sont moins entendus. Pour plus de détails sur notre charte éditoriale, veuillez consulter notre guide complet.

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Chaque soir, le rideau va se lever. "C’est l’utopie à laquelle on croit tous ici ! ". Frédéric Laffont a filmé au fil de deux saisons lyriques au théâtre royal de la Monnaie (Bruxelles), en un temps troublé où la culture ne semble plus une priorité pour l’Europe, Les Enchanteurs défendent une certaine vision du monde et de la société. The Enchanters SCAM Star 2017 Every evening, the curtain will rise. "This is the utopia we all believe in here!" On stage and behind the scenes, in workshops and offices: more than four hundred people, visible and invisible, work to make this utopia a reality. They are The Enchanters. Filmed over two lyrical seasons, in a troubled time when culture no longer seems a priority for Europe, Les Enchanteurs defends a certain vision of the world and of society. English version: BEYOND THE STAGE A film by Frédéric Laffont Edited by Catherine Rascon Duration: 90' © La Monnaie / De Munt, Camera Magica, Simple Production, ARTE G.E.IE, RTBF, 2016

Bibliographie de Frédéric Laffont : découvrez ses livres. Frédéric Laffont, as a writer, pursues the same quest as in Camera Magica films: of a stripped-down and profound writing, It explores the nuances of human destinies. Paris, Kigali, Kabul, Jerusalem and Gaza… books. Au 24 faubourg Saint-Honoré éditions de L'Iconoclaste, 2024 Une vie par le menu Prix Passion Littérature éditions de L'Iconoclaste, 2022 Mille et un jours, mille et une nuits éditions Arléa, 2002 à propos du conflit isréalo-palestinien. Maudits soient les yeux fermés édition Lattès, 1995 à propos du génocide au Rwanda Poussières de guerre éditions Robert Laffont, 1990 Sur la guerre URSS-Afghanistan Co-écrit avec Christophe de Ponfilly

Sur les sommets enneigés du Jura suisse, les horlogers sont aujourd’hui le fer de lance d’une industrie fructueuse. Dans les manufactures de Parmigiani, Frédéric Laffont filme au plus près de l’intelligence de la main. Measure and excess A film by Frédéric Laffont Duration: 54' Edited by Catherine Rascon © Sandoz Family Foundation, 2013 The snow-capped peaks of the Swiss Jura and the demands of the hundredth of a millimeter. Once threatened with extinction, watchmakers are today the spearhead of a profitable industry. In the Parmigiani factories, as close as possible to the intelligence of the hand.

Le film de Frédéric Laffont se construit comme un combat : en 12 rounds ! What do boxers dream of? Grand Prix Festival de Palerme 1994 VSD: "Built like a 12-round fight, in a suburban boxing gym. A lucky knockout!" English version: WHAT DO BOXERS DREAM ABOUT? A film by Frédéric Laffont Editing: Jean-François Giré Length: 54' © France 3, Interscoop, 1993 The film is constructed like a fight: in 12 rounds! A deaf-mute shoemaker, a Croatian militiaman, a European champion, a machine operator, a former Indochina veteran, a film buff... these are just some of our boxers! The setting: a legendary hall on the outskirts of Paris, dripping with the stench of sweat. Life, between knockouts and dreams, always saved by the bell.

Chili, 1988. Oscar Castro rentre au pays. Le dictateur Pinochet organise un référendum qu'il va perdre. Après des années passées en détention, après l’exil à Paris Oscar retrouve les siens, sa famille, ses amis, son théâtre. Il cherche sa mère, disparue durant les années de la dictature. We loved each other so much in Santiago Le Monde: "A painful, often joyful journey. A film full of simple humanity. Suffering. Oscar doesn't talk about it. All we hear is his father repeating that his wife, whose blood was used to draw a hammer and sickle on the wall of the abandoned hut at the bottom of the garden, "was eaten by dogs." A film by Frédéric Laffont & Pierre Barouh Editing: Jean-Pierre Bozon Length: 55' © Antenne 2, Interscoop, 1988 Chile, 1988. Oscar Castro returns home. Dictator Pinochet organizes a referendum that he loses. After years in prison, after exile in Paris, Oscar returns to his family, his friends, and his theater. He is looking for his mother, who disappeared during the years of the dictatorship.

1$ pour 1 vie raconte le combat de chercheurs, de médecins, d'industriels du médicament et d’anonymes qui ont décidé, comme la Fondation DNDi, d'unir leurs forces et de développer des médicaments contre des maladies négligées. Ce qui semblait impossible hier est devenu réalité : des traitements nouveaux arrivent aux bouts des pistes. $1 for a life FIPA 2010 Le Monde: “Exemplary! Télérama: "Dazzling photography, very well-written and involved commentary, chronicle of an attempt to change a situation made of cynicism or indifference." TéléObs "This documentary tells us an exemplary human adventure, the superb images of Frédéric Laffont retrace the story of a utopia realized." L'Humanité Dimanche: "Very well written, this film by Frédéric Laffont accurately shows the scale of the disaster" English version: $1 FOR A LIFE Edited by Emmanuelle Pencalet Duration: 1h27' © Interscoop, Cinétévé, Arte, 2010 This story brings together the richest man on the planet and the poorest among us. The challenge: saving millions of human lives. Malaria, tuberculosis, sleeping sickness, Chagas disease, visceral leishmaniasis… These diseases affect one in six people on the planet, or one billion people. How many millions of people still die from it each year? We don't know. We don't know how to count those who don't count. $1 for a Life tells the story of the struggle of researchers, doctors, pharmaceutical companies, and ordinary people who, like the DNDi Foundation, decided to join forces and develop drugs for neglected diseases. What seemed impossible yesterday has become reality: new treatments are emerging. Long neglected by the pharmaceutical industry, the poorest can have access to the best of science. For $1 a treatment…

Contactez Frédéric Laffont et Camera Magica pour toute demande de diffusion, collaboration ou information sur ses films documentaires. contact. For any request for distribution, collaboration or information on Frédéric Laffont's films, you can write to us at the following address: info@cameramagica.fr Or use the form below. Votre nom Votre e-mail Votre numéro de téléphone Écrivez votre message ici Envoyer Merci pour votre message